Still Undead explores the Bauhaus in relation to art and subculture in Britain. The exhibition coincides with the centenary of the pioneering yet short-lived art and design school’s founding in Weimar. It traces how Bauhaus experiments in light, sound and performance lived on, refracting into disparate fields: electronic music, kinetic sculpture, shop-window display, mod fashion, queer club culture. Spanning the 1920s to the 80s, the exhibition includes works by some 30 artists, designers and musicians.