T. Lux Feininger

Clemens Röseler spielt Banjo, Alexander (Xanti) Schawinsky tanzt den Charleston auf dem Dach des Bauhauses

   

Clemens Röseler playing banjo, Alexander (Xanti) Schawinsky doing the Charleston on the Bauhaus Roof, (Charleston on the Bauhaus Roof)
Clemens Röseler spielt Banjo, Alexander (Xanti) Schawinsky tanzt den Charleston auf dem Dach des Bauhauses Repro: MAIN
  • 1927, in Dessau
  • Negativ verschollen; Repro-Filmnegativ vom Künstler hergestellt 1980, bez. unten links Stempel: FOTO LUX FEININGER, oben rechts: 79, 90 x 120 mm

  • Abzüge bekannt:
    1. Metropolitan Museum of Art, New York, Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987, Inv. Nr.: 1987.1100.107, Silbergelatinepapier, 84 x 114 mm. Verso bez. vom Künstler: LUX F. Le charleston sur le toit du Bauhaus (1927) Lux Feininger, in rot: x, o, weißer Aufkleber: 79, Stempel: METROPOLITAN MUSEUM OF ART NEW YORK, und Inv. Nr.

  • Themen:  Bauhaus

Ausstellungen

Bauhaus Modern. 2008 Northampton, MA

Dancing on the Roof - Photography and the Bauhaus 1923-1929. 2001 New York MET Exhibition Overview:
The work of the (then) adolescent student Lux Feininger, son of the painter and Bauhaus master Lyonel Feininger, was more lighthearted than that of the older master and theoretician Moholy-Nagy. Never without his camera, the young Lux, whose nickname is Latin for "light," roamed the school in search of activities he could transform into his characteristically exuberant views of student life, exemplified by the sprightly Jump over the Bauhaus (ca. 1927). He combined his love of photography and music in a suite of lively photographs of the Bauhaus jazz band; this includes an energetic rendering of his fellow band member Xanti Schawinsky with the New Saxophone (1928) and Charleston on the Bauhaus Roof (1927), a riff on youth and modern life. Like the spirited pictures that Jacques-Henri Lartigue made as a youth, Lux Feininger's photographs are witty, playful, irreverent, and extremely rare. With more than twenty of his photographs included, "Dancing on the Roof" provides an in-depth display of his best work—a "mini exhibition" of a remarkable photographer who is relatively unknown but still lively at the age of ninety.
https://www.metmuseum.org/exhibitions/listings/2001/photography-and-the-bauhaus

Multiple Exposures . The Group Portrait in Photography 1995 New York - Greenwich, CT, The Bruce Museum, May 7 - June 25, 1995
- Charlottesville, VA, Bayly Art Museum - University of Virginia, September 1 - October 29, 1995
- Oakville, Ontario, Oakville Galleries, January 13 - March 10, 1996

The New Vision. 1995 Valencia

The New Vision - Photography between the World Wars. 1989 New York - New York, The Metropolitan Museum of Art: October 22 - December 31, 1989
- San Francisco, Museum of Modern Art: March 1 - April 22, 1990
- Los Angeles, County Museum of Art: May 10 - July 15, 1990
- Chicago, The Art Insitute: September 15 - December 1, 1990
- Atlanta, High Museum of Art: February 5 - April 28, 1991
- Houston, The Museum of Fine Arts: June 8 - August 4, 1991

T. Lux Feininger - Photographs of the Twenties and Thirties. 1980 New York, Nr. 35.

Literatur

ORANGERIE - Bauhaus forever! Peter Hahn, Franziska Schmidt, Christoph Stölzl 2019 Berlin, Abb./ill.

Der Sprung über das Bauhaus - Das photographische Werk von T. Lux Feininger. Ulrike Staroste 2012 Berlin, S./p. 46, 111. Abb./ill. 54.

T. Lux Feininger, Photographer and Painter, Dies at 101. William Grimes 2011 New York, Abb./ill.

Projekt Deutsch neu - Allemand Terminale. Robert Jourdan 2005 Paris, S./p. 54, Abb./ill.

Up, Down, All-Around and Quite Silly Besides Sarah Boxer 2001 New York, Abb./ill.

Dancing on the Roof - Photography and the Bauhaus 1923-1929. 2001 New York, cover

The New Vision - Photography between the World Wars. Maria Morris Hambourg, Christoper Philips 1989 New York, Abb./ill. plate 72

47 Bauhaus Fotographs 1927-1931. T. Lux Feininger 1980 New York, Nr. 35. Abb./ill.

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