T. Lux Feininger

Max Bill and Edmund Collein at the Bauhaus

Max Bill und Edmund Collein am Bauhaus

Max Bill and Edmund Collein at the Bauhaus

Repro: MAIN

1929, in Dessau
Negative untracable
Prints known:
1. Harvard Art Museums/Busch-Reisinger Museum, Cambridge, Gift of T. Lux Feininger, Inv. Nr.: BR71.21.24, gelatin silver print, 85 x 112 mm. Verso inscr.: one of Lux' Bauhaus Photos
2. The J. Paul Getty Museum, Los Angeles, Inv. Nr.: 85.XP.384.89, gelatin silver print, 83 x 110 mm. Verso inscr.: Inv. Nr.
3. Metropolitan Museum of Art, New York, Jennifer and Joseph Duke Gift, 2001, Inv. Nr. 1987. 2001.166, gelatin silver print, 82 x 104 mm. Verso inscr.: Lux Feininger, 35

Copy prints known:
I. Private collection, later print, Kodak paper, 203 x 254 mm. Verso inscr.: 85.XP.384.89, FEININGER, T. LUX
TLF: [Photo] By me. Max Bill (center) and Eddie Collein; about 1930 [215]

[cf. 'Max Bill explains', 1929]
Themes: Bauhaus

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Exhibitions

The Bauhaus and Harvard. 2019 Cambridge, MA, (Harvard Collection print)

Bauhaus Photographie. 1983 Arles, Nr. 39 - Arles, Musée Réattu, Rencontres Internationales de la Photographie: July 7 - September 30, 1983
- Paris, MAM Musée d'art Moderne de la Ville de Paris: February, March, April 1984

Literature

Object Lessons - The Bauhaus and Harvard. Laura Muir [Hg./ed.], Laura A. Frahm, Lynette Roth, Melissa Venator, u.a./et al 2021 Cambridge, MA, Plate 27

The Busch-Reisinger Museum - Harvard University Art Museums. Peter Nisbet 2007 Cambridge, MA, S./p. 109

Bauhaus Photographie. Christian Bouqueret 1983 Arles, Nr. 39

Es kommt der neue Fotograf. Werner Gräff 1929 Berlin, S./p. 113 Abb./ill.: "Zwei Gesichter"

Neue Wege der Photographie. 1929 Berlin, S./p. 3, Abb./ill.

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